In Staging Memories, authors Abé Mark Nornes and Emilie Yeh present an updated study of Hou Hsiao-hsien’s landmark contributions to Taiwanese and world cinema, with particular emphasis on A City of Sadness (Beiqing Chengshi), the winner of the Golden Lion award at the 1989 Venice Film Festival. Staging Memories is based on Narrating National Sadness, one of the first hypertext analyses in film studies, and its analysis is couched in a general history of Taiwan, the political massacre that A City of Sadness recreates, and the history of Taiwan New Cinema. This background information is crucial context for viewers, and one of the reasons teachers have long valued the hypertext version of the book. The body of the text analyzes Hou’s style, representation of violence, and the complex manner in which he renders history in his oblique long-take style. The book ends with a chapter that examines a single sequence that unifies the various threads of the overall analysis.
“I unhesitatingly declare A City of Sadness the richest film of the past 50 years. So rich that it needs and rewards intricate research and analysis. And Staging Memories is nearly up to the level of the great film it beautifully evokes and tenaciously explores. Emilie Yeh and Abé Mark Nornes demonstrate why they are among the best Asian film scholars in the world.”
—Dudley Andrew, Yale University
“A labor of love, Staging Memories is a paragon of deeply researched and eloquently written film criticism. The two leading scholars in East Asian cinema have produced an indispensable primer for appreciating perhaps the most important film in Taiwan film and national history. The rigor and passion evident on every page will surely inspire new generations of students of cinema studies.”
–Zhang Zhen, New York University
“Thanks to the diligence of the authors, the first hypertext film analysis has been revised, expanded, and made available in an enriched form. Staging Memories was a landmark in Web 1.0, and the revised version is an admirable model for digital methods of media study for the new century.”
–David Bordwell, University of Wisconsin
Abé Mark Nornes is Professor of Asian Cinema in both the Department of Screen Arts and Cultures and the Department of Asian Languages and Cultures at the University of Michigan. He has written five books on Japanese cinema, and over seventy articles.
Emilie Yueh-yu Yeh is Professor and Director of the Academy of Film at Hong Kong Baptist University. She is author of eight books and over fifty articles.